Prahaar: The Untold Story of Ujjwal Nikam is a newly released Hindi language biographical courtroom drama film about the life and work of Indian public prosecutor Ujjwal Nikam that will be released in 2026. The film, produced by Dinesh Vijan in the capacity of director and producer of Maddock Films, directed by Avinash Arun, is one of the most renowned criminal prosecutions that India has witnessed. With Rajkummar Rao playing the lead, the film is about the case of the 2008 Mumbai terrorist attacks and Ajmal Kasab’s prosecution. Instead of a traditional action, Prahaar delves into the will, proof, arguments in court, and pressures of individual people, in an effort to gain justice. The film is a blend of Legal Fiction and History, so it is a distinctive offering for those who like Real Lives and Indian Film.
Prahaar Movie Overview
| Category | Information |
| Movie Name | Prahar: The Untold Story of Ujjwal Nikam |
| Release Date | 16 October 2026 |
| Lead Cast | Rajkummar Rao, Wamiqa Gabbi, Jaideep Ahlawat, Ashis Vidyarthi, Sikander Kher, Ritvik Sahore |
| Writer | Sumit Roy, Vishal Tiwari |
| Director | Avinash Arun Dhaware |
| Producer | Dinesh Vijan |
| Genre | Biographical drama, Legal Drama |
| Language | Hindi |
| Platform | Theatrical Release |

Prahaar is a Hindi biographical drama that will hit Indian cinemas on 16 October 2026. The movie runs for around 140 minutes, showcasing Ujjwal NIkam’s career trajectory against some significant crime cases and the consequences of the Mumbai attacks. The project is directed by Avinash Arun and story/screenplay by Sumit Roy. The production is supported by Maddock Films and features a strong cast composed of Rajkumar Rao, Wamiqa Gabbi, Jaideep Ahlawat, Sikandar Kher, ashish Vidyarthi and Lalit Prabhakar. Its main theme is the interplay of evidence, courtroom tactics and the quest for justice in a case that made headlines nationally and internationally.
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Prahaar Movie Cast and Crew
The protagonist of the story is an honest pro-prosecutor played by Rajkummar Rao, who is known as Ujjwal Nikam. Wamiqa Gabbi is in the lead, with Sikandar Kher, Ashish Vidyarthi, Lalit Prabhakar, Ritvik Sahore in supporting roles. Lalit Prabhakar stars as Ajmal Kasab, one of the attackers who was captured alive after the 2008 Mumbai attacks. The cast includes veteran actors from the Hindi film industry and other Indian filmmaking industries, which enabled the film to delve into the legal proceedings and human impact of the case from various angles.

This drama is inspired by a true story, and is directed and cinematographed by Avinash Arun, who proved himself in the field of film-making. Dinesh Vijan is the producer of the film for Maddock Films and Sumit Roy is the story, screenplay and dialogue writer, though Vishal Tiwari has contributed to the screenplay too. This is edited by Charu Shree Roy, with background score by Alokananda Dasgupta. Other than that, the film’s music is handled by Pritam Chakraborty while the lyrics are penned by Amitabh Bhattacharya. Casting member and their character:
| Cast | Character |
| Rajkummar Rao | Ujjwal Nikam |
| Wamiqa Gabbi | Jyoti Nikam |
| Jaideep Ahlawat | Chaudhary Zulfiqar Ali |
| Ashish Vidyarthi | Justice M. L. Tahaliyani |
| Shikander Kher | Abbas Kazmi |
| Ritvik Sahore | Aniket Nikam |
Prahaar Movie Story Highlights and Plot
Prahaar is a tale of Ujjwal Nikam, a public prosecutor with a number of high-profile cases in India. The movie is based on the incidents of the bomb blasts in Bombay in 1993 and the massacre in Mumbai on 26/11/2008, along with the prosecution of Ajmal Kasab. The film focuses on the legal proceedings and not just the action and instead examines the work of investigators and prosecutors to determine facts and construct a case against those accused of committing serious crimes, rather than just being an action film.
One of the key portions of the story is the litigation in the court that ensued after the Mumbai attacks. In the film, that’s what happens in the case of Rajkummar Rao as Nikam, where he has to present evidence, cross-examine witnesses and finally convince the court, which the public is keeping a close eye on. The addition of Jaideep Ahlawat’s character and Lalit Prabhakar’s Kasab, also plays a role in the drama of the court case. The exchanges in the courtroom add tension to the narrative, with legal arguments and witness testimony playing a pivotal role in the quest for justice.

Prahaar also examines the personal pressures of a high stress career. The main topics are duty, perseverance, accountability and the emotional impact of dealing with violent offenses. The movie seeks to link a major episode in modern Indian history with those who played a major role in its legal repercussions. The courtroom-drama format of the case offers the opportunity to think about the role of the justice system and the value of evidence, rather than seeing it as just a contest between opposing sides. What emerges is a biographical movie based on real events, and a dramatic narrative made into a national prosecution.
Prahaar Movie Budget
Rajkumar Rao’s Prahaar: The Ujjwal Nikam story is expected to cost between Rs 25 crore to Rs 60 crore, which comprise production and promotional expenses. As per some trade reports released by Bollywood Movie Reviews, Koimoi and filmibeat, the overall production cost of the film could range depending on the expenses incorporated in the estimates. The release, however, has not been confirmed by the makers with a definite budget. Reported ranges should be considered as an industry estimate and not audited production costs. The success of its commercial release will be determined by its box office results, distribution and other revenue sources.
Final Thought
Prahaar: The Untold Story of Ujjwal Nikam is a courtroom drama that tells the story of a chapter in the history of Indian law. Rajkummar Rao’s performance as Ujjwal Nikam is the main attraction of the film, and the rest of the cast has done very well. The performances and courtroom scenes have been well received by early critics, but there have been a few complaints about the pacing and screenplay. If the viewer is interested in real-life legal battles, the aftermath of the 26/11 Mumbai attacks or stories about the pursuit of justice then Prahaar is a topic to explore. Whether or not it will have a lasting effect will depend on its impact upon the audience in terms of connection with performances, historical contexts and dramatic style.
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